< KTHEHU
Ordeal by Water
2 TETOR
ANNA CHIRESCU
After “Snow White” and “Romeo and Juliet”, Angelin Preljocaj returns to narrative ballet and her taste for stories. Mixing Tchaikovsky’s musical masterpiece with more contemporary arrangements, he tackles this monument of the classical repertoire. A work begun in 2018 with “Ghost”, where he was already paying tribute to Marius Petipa by projecting himself into the choreographer’s imagination at the time when the idea of his “Swan Lake” came to him. Faithful to the original work, it transposes the story of the swan princess at the heart of the problems of our time.
At the edge of a lake, Rothbart wants to exploit a fossil energy deposit. When a young girl, Odette, seems to thwart his plans, he turns her into a swan. Elsewhere, during a party, Siegfried opposes his father who wants to partner with Rothbart to build a factory on the edge of the swan’s lake.
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VICEVERSA
3-4 TETOR
JULIND DERVISHI
After “Snow White” and “Romeo and Juliet”, Angelin Preljocaj returns to narrative ballet and her taste for stories. Mixing Tchaikovsky’s musical masterpiece with more contemporary arrangements, he tackles this monument of the classical repertoire. A work begun in 2018 with “Ghost”, where he was already paying tribute to Marius Petipa by projecting himself into the choreographer’s imagination at the time when the idea of his “Swan Lake” came to him. Faithful to the original work, it transposes the story of the swan princess at the heart of the problems of our time.
At the edge of a lake, Rothbart wants to exploit a fossil energy deposit. When a young girl, Odette, seems to thwart his plans, he turns her into a swan. Elsewhere, during a party, Siegfried opposes his father who wants to partner with Rothbart to build a factory on the edge of the swan’s lake.
Under the Fowers
8 TETOR
THOMAS LEBRUN
After “Snow White” and “Romeo and Juliet”, Angelin Preljocaj returns to narrative ballet and her taste for stories. Mixing Tchaikovsky’s musical masterpiece with more contemporary arrangements, he tackles this monument of the classical repertoire. A work begun in 2018 with “Ghost”, where he was already paying tribute to Marius Petipa by projecting himself into the choreographer’s imagination at the time when the idea of his “Swan Lake” came to him. Faithful to the original work, it transposes the story of the swan princess at the heart of the problems of our time.
At the edge of a lake, Rothbart wants to exploit a fossil energy deposit. When a young girl, Odette, seems to thwart his plans, he turns her into a swan. Elsewhere, during a party, Siegfried opposes his father who wants to partner with Rothbart to build a factory on the edge of the swan’s lake.
+ ERBA
10 TETOR
TPO
After “Snow White” and “Romeo and Juliet”, Angelin Preljocaj returns to narrative ballet and her taste for stories. Mixing Tchaikovsky’s musical masterpiece with more contemporary arrangements, he tackles this monument of the classical repertoire. A work begun in 2018 with “Ghost”, where he was already paying tribute to Marius Petipa by projecting himself into the choreographer’s imagination at the time when the idea of his “Swan Lake” came to him. Faithful to the original work, it transposes the story of the swan princess at the heart of the problems of our time.
At the edge of a lake, Rothbart wants to exploit a fossil energy deposit. When a young girl, Odette, seems to thwart his plans, he turns her into a swan. Elsewhere, during a party, Siegfried opposes his father who wants to partner with Rothbart to build a factory on the edge of the swan’s lake.